Improvisation Et Caprice Presentation Essays

Improvisation Et Caprice Presentation Essays Improvisation Et Caprice Presentation Paper Improvisation Et Caprice Presentation Paper IMPROVISATION ET CAPRICE September 13, 2011 By Eugene Bozza Saxophone Studio Presentation Presented by Robby Avila â€Å"The good man is the only excellent musician, because he gives forth a perfect harmony not with a lyre or other instrument but with the whole of his life. † Plato Eugene Bozza (4 April 1905 – 28 September 1991) Eugene Bozza was a 20th century French musician and talented composer who wrote many important works for not only the saxophone, but for nearly every wind instrument. He was born in Nice on the 4th of April 1905. He studied the arts of composition, conducting, and playing the violin at the Paris Conservatoire. There, he won the Prix de Rome for his work La legend de Roukmani, a cantata based on an Indian legend. After completing his course of study in Paris, he moved to Valenciennes, where he would become the director of the Ecole Nacionale de Musique. There he would remain until his retirement in 1975. Although retired from his major teaching career, he was still an active composer until his death in Valenciennes on the 28th of September 1991. Very gifted in the art of music, he has proven himself to be a highly prolific composer with very important works for many instruments (See outline for a list of the pieces composed for saxophone alone). Although he primarily known for his solo and chamber works, he also composed five symphonies, operas, and ballets. Unfortunately, his larger works are rarely played outside of France. Improvisation et Caprice (1952) Written by Eugene Bozza in 1952, this piece is dedicated to the professor of saxophone at the Paris Conservatoire, Marcel Mule, a great French saxophonist and model for saxophone playing. The piece is a challenging work, pushing students with demands of musicality, technique, tone, and rhythm. Not uncommon amongst composers, Bozza often â€Å"plagiarized† from himself, borrowing ideas he had used in earlier works to aid in the composition of a newer one. The Improvisation portion of this piece is no different. It is lifted from the middle section of his Image Op. 32, a piece he had written for unaccompanied flute. Although different in the sense that it transposed down a minor third with an added fermata at the end, all other aspects remain the same. The Caprice portion, however, appears to be completely original in Bozza’s library of compositions. On a related note, the outside sections of his Image appear in another work for saxophone. This composition Piece Breve, another unaccompanied saxophone piece, uses the rest of his musical ideas from Images. After silence, that which comes nearest to expressing the inexpressible is music. † -Aldous Huxley Robby Avila (22 January 1988 – Present) Robby Avila is a Saxophone Performance Major at Kansas State University focusing on saxophone pedagogy, works for wind band, and jazz studies. He was born in Tulsa, OK on the 22nd of January 1988. Before coming to KState, he attended Campus High School in Wichita, KS, where he studied saxophone with Kim Whittemore, Brandon Morse, and Lisa Hittle. In Wichita, he was a member of the Wichita Wind Ensemble, The Kansas Music Ambassadors, and played with the Wichita State University Concert Band and Basketball Band. Upon graduating from high school, he came to Kansas State University and began study with Dr. Anna Marie Wytko. At K-State, he has been an active member in Wind Ensemble, Concert Band, Saxophone Quartet, Jazz Band, Latin Jazz, Jazz Combos, Marching Band, and Cat Band. After completing his course of study, he hopes to continue on to graduate school to further his education and obtain a Master in Music and eventually complete doctorate work.

Having a Fit

Having a Fit Having a Fit Having a Fit By Maeve Maddox The little word fit has multiple functions and occurs in numerous expressions. In Middle English, the noun fit denoted an intense experience that could be painful, dangerous, or exciting. By the 16th century, a fit could denote a paroxysm, or the recurrent attack of an ailment. In the 17th century fit took on the meaning of a sudden seizure with loss of consciousness, or accompanied with convulsions. By the 19th century, fit was used in expressions of exaggeration such as â€Å"to throw a fit† in the sense of â€Å"to fly into a rage.† Because fits are of limited duration, the noun fit also took on the sense of a limited, usually brief, period of time: â€Å"We’ve had a fit of wet weather.† Fit also functions as an adjective: a synonym for appropriate or well-suited. For example, a man might be â€Å"fit for a certain job,† or a certain type of food might be â€Å"fit for an invalid.† Fit can also mean inclined or disposed. A tired person might be â€Å"fit to collapse.† An angry person might be â€Å"fit to be tied.† A child trying to keep a secret might be â€Å"fit to burst.† Fit (and fitting) also applies to social behavior. In Gone With the Wind, the character Mammy uses the word in this sense when she reprimands Scarlett for unladylike behavior: â€Å"It ain’t fittin; it just ain’t fittin’.† In the 19th century, fit took on the meaning â€Å"in good health† or â€Å"in good physical condition.† People go to the gym â€Å"to get fit.† As a verb, in addition to meanings related to those mentioned, fit can mean â€Å"to be of the right shape and size.† Here are some common expressions that use the word fit: to have a fit to become upset about something Ex. Don’t have a fit; I’ll make your sandwich in a minute. hissy fit an outburst of temper, a tantrum. Hissy may be a shortening of hysterical. Ex. Aunt Ida is having a hissy fit; somebody broke her garden gnome. survival of the fittest The expression was coined by Herbert Spencer in reference to the Darwinian theory that animals best-adapted to an environment continue to reproduce and evolve. In this context, â€Å"the fit† are those animals suited to succeed. It is frequently used figuratively. Ex. In cable, it’s survival of the fittest as channels drop from the bundle. in fits and starts spasmodically; at irregular intervals. Ex. He’s been cleaning the garage in fits and starts. fit to be tied extremely angry Ex. When Father saw someone had left the gate open, he was fit to be tied. fighting fit at the peak of one’s physical form Ex. Papiss Cisse says he’s fighting fit to help lead the charge against Queens Park Rangers. fit as a fiddle in good health; in good physical condition Ex. After making a full recovery from his plane crash, Harrison Ford, 72, was once again seen looking fit as a fiddle as he visited his office in Brentwood.   Note: Before the 19th century, the expressions â€Å"fit as a fiddle† and â€Å"fine as a fiddle† meant â€Å"appropriate for the occasion.† to fit in (1) to belong, to assimilate well Ex. The pledge master warned the freshmen that if they didn’t like partying, they would not fit in. to fit in (2) to find time for Ex. I’ll check my calendar and try to fit you in on Friday. if the shoe fits This is a shortening of â€Å"If the shoe fits, you must wear it.† The expression usually occurs as an unsympathetic response. Ex. GEORGE: Just because I forgot her birthday, she says I don’t really care about her. ALICE: If the shoe fits The unexpressed thought is â€Å"If what she says is true, admit it.† to fit like a glove to fit perfectly Ex. That new job fits her like a glove. to fit the bill to correspond to certain requirements Ex. With your background in teaching, nursing, and music, you fit the bill for the job of camp musical director. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Expressions category, check our popular posts, or choose a related post below:Congratulations on or for?Best Websites to Learn English20 Clipped Forms and Their Place (If Any) in Formal Writing